The final 15 years have been a golden period of TV, minting generational treasures out of Chilly Conflict-era Russian spies posing as an American nuclear household (The People), a Black household combating for his or her household legacy by defending their land (Queen Sugar), a speaking horse that swears (BoJack Horseman), and a surreal journey by the mecca of Black cool (Atlanta). However, someplace alongside the status TV path, humor went from easy absurdism that anybody can snigger at to overly intellectualized comedic automobile to make drama extra palatable. We stopped laughing out loud, and began laughing in our heads.
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